Passion Becomes Craftsmanship

“For me, lutherie is the balance between tradition and innovation. I build acoustic guitars that are not just instruments, but natural extensions of the player’s sensitivity.”

Carlo Corsalini - Liutaio specializzato nella costruzione di chitarre acustiche

Education & Experience

Carlo Corsalini’s journey in high-end lutherie has been marked by encounters with the world’s greatest masters. He refined his techniques attending workshops led by icons such as John Monteleone, Kevin Ryan, and Jean Larrivée, and furthered his studies with Roy McAlister and Bryan Galloup. This rare synthesis of knowledge has allowed him to blend the precision of the American school with Italian artisanal sensitivity.

The Recanati Atelier

Particolare laboratorio Carlo Corsalini

Today, this constant evolution has found its ideal home in Recanati. The new atelier was designed as a cutting-edge technical environment, where climate control and millimetric organization of space allow for the processing of the finest tonewoods in optimal conditions. It is here that every project comes to life, in the silence and precision necessary to create superior instruments.

The Label

Back and Sides

The Fingerboard


Sound as an Extension

Research and Method

Every project begins with the selection of the wood, a ritual that requires patience and listening. In the Recanati Atelier, every board is studied to understand its vibrating potential. Thicknesses and bracing are hand-calibrated, millimeter by millimeter, to follow the natural character of the material.

Particolare laboratorio Carlo Corsalini

Aesthetics: Beyond the Sound

The aesthetics of a Corsalini guitar are clean, essential, and profoundly Italian. Every inlay and every line of the headstock is designed to create an object that is as much a pleasure to behold as it is to play. Elegance is the natural result of perfect construction.

Carlo Corsalini mentre lavora sul piegafasce

A Bespoke Instrument

Building a guitar means establishing a dialogue. Understanding the musician’s touch, style, and needs is an integral part of the process. Only in this way can the instrument become a natural extension capable of translating thought into music effortlessly.

Dettaglio della lavorazione manuale del manico di una chitarra acustica nel laboratorio di Carlo Corsalini

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